The Broadway Epidemic
Understudies.
In every show.
Even the leads don't show up.
So as you plan your New York trip for the holidays, beware. Understudies are
everywhere.
It's an outrage and an epidemic. \”Spamalot\” even makes a joke about
it. But if you happen to have bought tickets months in advance to see not only
a show, but the people who made it famous, including coming home with a Tony
Award, it's no laughing matter.
I've wanted to write this post for a very long time. First I had to cool down,
but then the election season heated up, so I had to put it off. Now it's time
and after almost three full months I'm still ticked off about it.
The trip we took to New York City in late August was a gift, as we
were meeting up with family siblings. We couldn't have
made the trip without the generosity of my sister and brother in law. We came in early to take advantage of the opportunity. It was spectacular. It was also planned carefully months and months in advance; tickets
bought, everything down to the last detail.
So, it was Friday night, September 1st. In our orchestra seats, all smiles,
I opened up my program only to be greeted by little white squares of paper cascading
out of my program and on to the floor beneath my orchestra seat. To any theatre
goer that means only one thing: understudy announcements. I paged through several,
shook my head, then the announcer broke in. The part of Frankie Valli will be
played by… John Lloyd Young, the man who won the Tony Award in June, was
not going to appear. His name was not outside on the understudy list, nor was
it included in the many bits of paper that cascaded out of my program. It was
announced moments before curtain.
I heard expletives all around us. One couple nearby was furious. I saw the
disappointment wave cascade across the audience just as the lights went down
and the curtain rose. My mind started humming. After all, I know this turf.
I worked on Broadway. Mind you, I never had the talent to star as Frankie Valli,
but I had enough to get hired on my very first Broadway audition, so I had some
game. I also worked with people who never missed a performance.
But today you get: Surprise! The man you came to see do his Tony Award winning performance is
out.
Get over it.
Livid doesn't begin to describe my reaction.
To see John Lloyd Young's Tony winning performance I had to resort to his
blog. Big of him to offer clips. Comes in handy when you've stiffed your audience.
This isn't the way it used to be.
The show must go on! Maybe, but today, Tom, Dick and Harriette will be filling
in for the \”stars.\”
Mind you, the siblings with me loved the show and the understudy; were thrilled
at the performance and the music. No big deal to them. Well, it's not going to get any better if the audience doesn't give a damn. The producers just keep raking it in regardless. Sure, the music is wonderful.
It's Frankie Valli & the Four Seasons, so of course the music is good. How
was the understudy? He was terrific. But less than one
year into a Tony Award winning performance the lead goes kaput on a holiday
weekend, with another lead on a contractual vacation. Sorry, that's a problem in my book.
Needless to say, I contacted the JERSEY BOYS' press office to find out what happened. We exchanged several emails, including one from him asking if I intended to write a story on the show. Here's one of his emails.
Hi Taylor, I'm sorry John was out at the performance you attended. He was out sick for the weekend. The show did not know that John would be unable to perform until late in the day on Friday. Daniel Reichard was out of the performance due to a contractual vacation. When an actor is out, Actors' Equity requires the producers to do two of the following to let the audience know another actor is playing the role: (1) Post the cast change on an understudy board in lobby, (2) Put slips in the Playbill, (3) Make an announcement to the audience prior to the performance. If we had time we would have also made slips for the Playbill. Because of timing we were only able to do 1 and 3. As you know from experience, actors on Broadway give their all, and the demands of a show like JERSEY BOYS, where the company has to go all out for two and a half hours, are monumental. Actors are human and do get sick, and nothing makes them more miserable than not being able to do a show. Thanks for your time, Heath |
Heath seems nice. He does press for Schwartz Boneau/Bryan-Brown, Inc., a monster organization. But, sorry, I'm just not buying into it. \”Because of timing\” the management couldn't do 1 and 3. Nice try.
Management didn't do 1 and 3 because they didn't want an angry reaction to Lloyd
being out. \”Late in the day\” means you could have put it up and in
the program; at least, that's my interpreation. The other issue is that on that 2 of the 4 Jersey Boys were understudies. I know, I already said that.
Mick Jagger, Young ain't. Maybe John Lloyd Young could write the Mickster
and see how he does it, you know, get some stamina advice.
Welcome to the new Broadway.
These people can't even do the performances contracted with microphones! The
advent of microphones used on Broadway should make performing much easier for
the leads, especially. But the overwhelming presence of the understudy says
something different, either about the performers athleticism, or about the length
and difficulty of the shows being produced.
One of two things must happen. Producers must make shorter shows and include
fewer songs so the lead's chops don't fail within a year of their contract.
Or they need to higher singers who can keep their chops from failing. It's unconscionable
that 2 out of 4 leads were out on a Friday night during Labor Day weekend. It's even worse that no one says a peep about it.
But this is Broadway today.
Every single show we saw during the week prior to Labor Day and during the
weekend had understudies appearing in them. Every. Single. One.
Again, this is with the use of microphones. Performers don't even have to belt
out a song on their own any more.
I enjoyed Jersey Boys, with the many understudies filling in that night all
good performers with terrific voices. Michael Longoria, the understudy playing Frankie Valli that night, was very good. This is no disrespect to him or the others. However,
there is something seriously wrong with Broadway if every show you see has at
least one understudy showing up instead of the person who is supposed to do
the show. When the biggest hit on Broadway has 2 of the 4 JERSEY BOYS out on
a holiday weekend it borders on fraud in my book.
Mind you, producers don't give a damn about whether the songs in JERSEY BOYS
are too taxing on the performer. They don't calculate singing so many songs,
day after day, week after week. But it's a horrendous disappointment for people
paying over $100/ticket when the Tony Award winner you came to see is out. Yes, performers get
sick, but if it's happening before the first year in the run has even been completed
it makes you wonder.
JERSEY BOYS is a tremendous idea. The music is splendid. It has been deemed
a great show. I, however, will reserve judgment. Because what I saw had great
music and wonderful performers, but it was understudies on parade.
However, I do have two words for you when it comes to the JERSEY BOYS: Christian
Hoff. Magnificent. He also won a Tony Award this past June for JERSEY BOYS. (He's the one on the far right in the picture above.)
So if you plan to go to New York this Christmas and see a Broadway show, don't get your hopes up, especially if you're seeing JERSEY BOYS. Lord only knows who will be in the lead.
Go see Martin Short instead, who is absolutely tremendous in his show. Besides,
he's sure to show up.
UPDATE: I appreciate the comments, but none of them address the real issue, which is the epidemic of Broadway understudies infecting the shows, including \”Jersey Boys.\” This real issue has become so prevalent that it\’s now a running gag line in other shows. The comments also do not address the producers\’ responsibility to have shows that do not overtax leads, while also including all the songs they want to present. Having been a performer, including Broadway, for a very long time, up until my late 20s, I don\’t need anyone to lecture me about the harsh realities of the job. Frankly, I believe the show should have been canceled and money refunded. When two of four leads are out you are not getting what you paid for, regardless of the talent of the understudies. When you buy tickets eight months in advance, sometimes even longer, to be met with this type of situation is tantamount to fraud, in my opinion. The producers should then have to pay for the consequences of either not informing the audience in fair time, or producing shows that even heroic performers cannot perform. It wasn\’t even one year into the contract when this happened to Mr. Young. As one commenter would have it, audiences are now evidently expected to check a performer\’s blog before attending a performance to make sure he or she will show up! The argument is absurd. This is unacceptable and though I focus on \”Jersey Boys,\” this is not the first time the Broadway epidemic of understudies has been written about, having also been featured in The New York Times. It\’s a real and very important issue that threatens the health of Broadway, an artistic medium I\’ve not only supported my entire life, but worked within. Fans can cut artists all the slack they want, but that doesn\’t make the Broadway understudy epidemic any less an issue.